Supersize Me 2 featured at Toronto Film Festival 2017

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This year's Toronto International Film Festival sees the premiere of Morgan Spurlock's new movie Supersize Me 2: Holy Chicken with  a soundtrack by Jeff Meegan and David Tobin.

Morgan Spurlock rose to fame with his original Supersize Me movie in 2004, in which he highlighted the health problems caused by the fast food industry, as he attempted to live on a diet of food from McDonalds restaurants for a month.

In the new film Morgan open his own fast-food chicken restaurant as he uncovers the truth - and the lies - about the multi-billion dollar restaurant industry.

With Morgans trade mark wit, the film highlights the issues he faces in dealing with food industry giants.

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SHOWREEL - some of our latest music

TWO COMPOSERS , TWO CONTINENTS - ONE TEAM…

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Composers Jeff Meegan and David Tobin are a unique team. Working more than 3,500 miles apart, they have created a growing reputation for producing quality music for the needs of modern media.
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RECORDING AT STUDIO ONE, ABBEY ROAD

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David and Jeff set to work with Julian Gallant and the London Sessions Orchestra for two days at Abbey Road to complete a ground-breaking new project for Audio Network.
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Adding music textures to BBC's award-winning drama

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A star-studded cast including double Oscar winner Glenda Jackson, Robert Lindsay, above left, Samuel West, above right, and Toby Jones featured in the BBC's award-winning adaptation of Emile Zola’s 20-novel saga of the Rougon-Macquart family and its feuds and struggles in nineteenth-century Paris.

David Tobin and Jeff Meegan worked with long-term collaborator Julian Gallant on the music for the 24-hour broadcast epic. READ MORE

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One of the things we love most about the type of Media music writing we do is the huge breadth of styles that we get to work on, and this has been particularly apparent in our current project “Action Cartoon” – A collaboration with composing legend and Emmy winner John Altman. So what do we…

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The Toronto International Film Festival Experience

Well.. now that the dust has settled on the Toronto International Film Festival 2017, here’s a quick insight into our experience of the wonderfully chaotic world of TIFF from a festival first-timer. Despite both being industry veterans, this was the first time that either Jeff or I had attended a film festival and so we…

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It’s the beginning of September and that marks start of the film awards season. With the Venice, Telluride and Toronto film festivals all happening with in a few weeks of each other, it’s no wonder that many Oscar-contending films have made their debut at this time in years past. ‘Birdman”, “Slum Dog Millionaire”, “Black Swan”,…

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The emotional touch

When writing production music, one of the interesting things for us as composers is to see the vastly differing creative and emotive ways our music is used on a vast variety of projects. When writing production music, one of the interesting things for us as composers is to see the vastly differing creative and emotive ways…

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The complex and subtle art of composing music for media

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Composing music for films and TV draws us a scomposers into the film production process. The ways in which film makers use music to help them tell their story is one of collaboration and development - and it's rarely simple. How did Samuel Barber's adagio for Strings become the main theme for Oliver Stone's Oscar-winning film Platoon? And why, when you're creating a traditional Jazz recording is an old suitcase a vital piece of kit in the studio?  FIND OUT MORE

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