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SHOWREEL - some of our latest music

TWO COMPOSERS , TWO CONTINENTS - ONE TEAM…

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Composers Jeff Meegan and David Tobin are a unique team. Working more than 3,500 miles apart, they have created a growing reputation for producing quality music for the needs of modern media.
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RECORDING AT STUDIO ONE, ABBEY ROAD

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David and Jeff set to work with Julian Gallant and the London Sessions Orchestra for two days at Abbey Road to complete a ground-breaking new project for Audio Network.
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Adding music textures to BBC's award-winning drama

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A star-studded cast including double Oscar winner Glenda Jackson, Robert Lindsay, above left, Samuel West, above right, and Toby Jones featured in the BBC's award-winning adaptation of Emile Zola’s 20-novel saga of the Rougon-Macquart family and its feuds and struggles in nineteenth-century Paris.

David Tobin and Jeff Meegan worked with long-term collaborator Julian Gallant on the music for the 24-hour broadcast epic. READ MORE

LATEST NEWS AND PROJECTS FROM MEEGAN & TOBIN

The emotional touch

When writing production music, one of the interesting things for us as composers is to see the vastly differing creative and emotive ways our music is used on a vast variety of projects. When writing production music, one of the interesting things for us as composers is to see the vastly differing creative and emotive ways…

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Our piece Quest for Justice

It was especially pleasing to see one of our tracks recently used in a behind the scenes documentary on the latest Star Wars movie “The Force Awakens”. The documentary featured interviews with key members of the production team, along with some fabulous footage of one of the locations in the movie. Luke Skywalker is living…

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Pasta joke…

Dolmio sauce ad follows in the footsteps of a movie classic Writing music for TV advertising is a challenge. You have just half a minute in which to present a piece of music from beginning to end . And vital as your role is, you always have to remember that you’re there to support the…

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The illusion of sound

When we listen to a recording do we hear something that never happened – and does it matter? What makes a great recording? Is it the sense of being in there, in the middle of the music, where you can hear everything? Or is a great recording one which is so technically blemish-free that it…

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The complex and subtle art of composing music for media

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Composing music for films and TV draws us a scomposers into the film production process. The ways in which film makers use music to help them tell their story is one of collaboration and development - and it's rarely simple. How did Samuel Barber's adagio for Strings become the main theme for Oliver Stone's Oscar-winning film Platoon? And why, when you're creating a traditional Jazz recording is an old suitcase a vital piece of kit in the studio?  FIND OUT MORE

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